However the course does not remain in g minor for long , as this tonic triad is actually a pivot chord stigma the return of d minor (i re-interpreted as ivThe counterbalance of the movement is in d minor , though a lick of fifths progression provides some contrasting harmonic action . This lot of fifths progression is preceded by the two strong dominating-tonic motions in d minor of mm . 45-48 . From here , Bach pedals with A major (m . 49 D major (m . 50 , G major (m . 51 , C major (m . 52 , F major (m . 53 , and Bb major (m . 54 . The cycle is wiped out(p) by the E diminished sonority of m 55 (ii ? of d minor ) which functions as a pre- prevalent , leading to the dominant of! m . 56 and finally to the tonic in m . 57Form and Phrase StructureWhile this...If you want to get a full essay, support it on our website: OrderEssay.net
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